Holidays where people exchange thoughtful objects (or those which sport a pronounced turkey component) get a pass, but "enforced revelry" as a general concept is one I abhor. I have an especial loathing for chronofetishism. My prediction for 2010 is that we'll spend the entire Goddamn thing spitting blood and teeth into the sink. Happy New Year.

This is just a friendly reminder that the last day to get the early bird deal for PAX East pre-registration is December 31st (Tomorrow).

This is the kind of conversation we have after we've been separated for a week. The throughput gets redlined with a thorough, almost reptilian, probably repulsive masculinity. It's barely coherent, as data; it's more like an extended club mix of caged animal impulses. So, um... enjoy(?).

The Gallery is very NSFW!

This year's Dickerdoodle contest was awesome. You guys are a sick bunch of fuckers. Choosing a top three was no easy task but I've finally done it.

Was the Illithid ultimately able to steal Lolthmas? Can Lolthmas truly be stolen? The final page may contain these answers. We will try, I repeat try, to wait a year before doing that again. I italicized that second "try" to emphasize the difficulty therein.

I hope that you are having an unambiguously merry Christmas. Or a hopi Schneikel, or a gurd Nachtouph, or whatever they have where you are. I hope that whatever phenomenon best epitomizes your native winterfest is in plentiful supply.

We assumed that the first year of PAX East would be a slightly smaller event than PAX West. This is a new show in a new venue and we just figured it would take a few years for people to really warm up to it. Imagine our surprise when looking at pre-registration numbers, it became clear that PAX East would be as big if not bigger than our Seattle show. I can't believe I'm saying this about the first year of PAX East, but if pre-registration keeps going like this we will probably have to cap attendance just like we did this year in Seattle.

Page Two of "How The Illithid Stole Lolthmas" is now available. Hopefully that's a good thing? Every now and then I am allowed to write poetry for the site, and I relish the opportunity.  It's something I do more or less constantly anyway:  if I crack an egg, for example, typically the egg cracking is accompanied by a song which details the process. I turned in a couple papers for AP English in verse.

Prepare yourself for four full days of D&D related wankery. For edification purposes, "Illithid" is an even dorkier way to say Mind Flayer. As for Mind Flayers, this comic tells you pretty much everything you need to know.

It's Friday and that means a new show on PATV. Today we've got episode three of the series available and next Friday will be the premiere of Blamimations. This particular episode is about the writing process but it's not one of the video podcasts I mentioned earlier. Those are called the 4th Panel and they are just like the podcasts in that you're sort of a fly on the wall while we make a comic strip. This episode has some writing in it, but it's more us talking about how we make PA.

I'm on record as saying that game length isn't an especially good indicator of, well, anything really, except perhaps game length, of which it may be considered a key indicator. I do find it interesting however that - at completion - I've played Might and Magic: Clash of Heroes four times longer than I played Uncharted 2, even including the multiplayer. Considering the thirty dollar ante, this is a ri-goddam-diculous amount of entertainment for the money - in raw dollars, it is quite likely the master of the season.

The Dante's Inferno demo is a demo that must be played. It's funny, but given what they're attempting here it really shouldn't be. Weird is the word; it's the result of so many warring drives that teasing out the throughline becomes difficult. You can impale dudes on your scythe and them throw them, which has kind of a lacrosse vibe. Lacrosse is pretty cool. Outside of that, I'm not sure I have much use for it.

The Dante's Inferno demo was a nasty, incoherent facsimile of an existing product, and worse, it doesn't seem to understand what makes the original worthy of emulation.  I've played demos that didn't communicate the actual product before - TRON 2.0 being the most grave example - so who can say what it means for the destiny of the retail product.  This demo pierced the natural curiosity that might have weakened me in a retail context, and for this I am grateful.  

I've gotten a lot of requests from people wanting to know what I think of my nook. I've read all the same reviews that you guys have and most of them are not very favorable. I think I might be coming at it from a slightly different perspective though.